ALL PHOTOS:
Diego Graglia
ews
is not always new, especially when midnight strikes. The media cover
events mostly during the day; at night, the flow of fresh information
slows to a trickle. Staffs are heavily downsized for the overnight
shift -- but someone has to be there in case something happens.
"It's
just the five of us here, in the middle of the ocean," said
Charlie White, 53, an assignment editor and a 20-year veteran in
the graveyard shift at CBS News Radio. Besides White, a copy editor,
a desk assistant, an anchor and a sound technician worked quietly.
It was after midnight, and the newsroom was calm for a place usually
buzzing with sounds and tension. No one ran, no one shouted.
Roger
Norum, 60, the copy editor, and Jim Chenevey, 46, the anchor, discussed
what story would lead the 1 a.m. broadcast, using a jargon cryptic
to outsiders. They chose that day's Bush-Blair meeting in Washington.
"Oh, that's an exciting story," Chenevey said, with sarcasm.
By that time, the information seemed more like recent history than
news.
Ironically,
a slow news day translates into a busy night for these workers.
For instance, White said, "In the holidays, you really have
to reach out to find something. You actually work harder."
f
course, from time to time, something really big happens. "We're
here to take care of things if all hell breaks loose," White
said. Princess Diana's death in Paris in 1997 and the student massacre
at Tiananmen Square in Beijing in 1989 are examples of events that
suddenly forced everyone to run and shout.
In
those moments, "you forget to go to the bathroom," White
said, "the adrenaline starts pumping and you just keep going."
The Tiananmen coverage earned the station a DuPont Award. "On
this shift," White said, "you're good or you're dead."
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"On
the weekends, I don't want to go out before 9 at night,
and my friends don't want to stay until 7 in the morning.
At 1 or 2 a.m., they are ready to go home.
"I want to stay out but everybody else is tired. I'm
just trying to convert my friends into night owls."
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Rachel
Cohen
24, Reuters
reporter
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Despite
the slow pace, news people are pretty busy during the night, according
to Rachel Cohen, 24, a financial reporter for Reuters who works
from 11 p.m. to 7 a.m.
"There
is no nap-time, unfortunately," she said with a laugh. "When
I have some breaks, I check my e-mail. I write e-mails in the middle
of the night because I can't call my friends at 3 a.m."
eird
things can happen in a lonely office at night.
Glen
Weisman, a night desk editor for MJI Programming, an entertainment
and news provider for radio stations, said that "mice come
out to visit you." He also recalled when a pipe burst beneath
the floor and he and a workmate had to place high-powered equipment
on top of desks to avoid a catastrophe.
"Other
than that," Weisman said, "it's not that weird. If you
like solitude, it's great."
Days
off can be a problem after a week of overnight work. "What
I find difficult," Norum, the copy editor at CBS, said, "is
trying to be a normal person again." After the weekend, he
added, "you start turning into a vampire again."
Norum
said, "My wife is an early riser, I'm not." Charlie White
told him: "You do what I do. You wave goodbye to her as she
gets out of bed and then you get into it."
Chenevey,
the anchor, summed up the general feeling in the half-empty newsroom.
"After a few years," he said, "there's no getting
back to normal."
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from
rush to crawl
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night
shift journalism
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the
effects of the night shift
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CHARLIE
WHITE
CBS
News radio editor, 53
Works: 11 p.m. to 6.30 a.m.
Sleeps: 8.30 a.m. to 2 p.m.
Effects: "I've been dead for six years,
but I still keep showing up for my shifts."
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ROGER
NORUM
CBS News radio
copy editor, 60
Works: 7.15 p.m. to 4.15 a.m.
Sleeps: 6 a.m. to 1 p.m.
Effects: "What I learned in Vietnam
is I can take a catnap anywhere."
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JIM
CHENEVEY
CBS
News radio anchor, 46
Works: 10 p.m. to 4 a.m.
Sleeps: 7 a.m. to 12 p.m.
Effects: "This shift is wearing on me. You
can't carry on a regular life if you don't want to disrupt
your sleep."
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