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"Almost
all government buildings were designated as shelters, libraries,
schools, etc.," Griffith says. "The only characteristic
of these places was their ability to house some number of
people, but I do not think any public buildings were upgraded
to withstand the effects of the nuclear blast."
The
act defined a shelter as "a building, structure or other
real property, or an area or portion thereof, so constructed,
altered or improved as to provide protection against harmful
radiation resulting from radioactive fallout."
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But
American imagination and pop culture centered on the shelters
during the Cold War years.
"The
movies of that era also portrayed some of these icons with some
frequency," says Bender. "There was ‘Fail Safe’ and
the classic Stanley Kubrik’s ‘Dr. Strangelove.’" |
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Parts of that culture were also the gags. "The
jokes about the fallout shelters were endless," says
Berman. "Jules Feiffer, the cartoonist, MAD Magazine,
everybody joked about them because everybody knew that they
were completely futile.
"MAD
Magazine was always doing something or other often related
to nuclear war often ridiculing governments and defense policies,"
says Paul Boyer, professor of history at the University of
Wisconsin, Madison, and author of the book "By the Bomb’s
Early Light: American Thought and Culture at the Dawn of the
Atomic Age."
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"There
were pop songs that dealt with nuclear war so it was really
a pervasive scene through the '50s and '60s but it faded after
the Nuclear Test Ban Treaty of 1963," says Boyer. "But
up to 1963, it was very much a central theme in pop culture."
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Integral
in the development of the atom bomb, this cyclotron was
used
during the first stages of the Manhattan Project. It can
still be found on the Columbia University campus. |
The
government’s futile defense policies during the Cold War were
the reasons why they were the targets of jokes and ridicule,
says Berman. "The most incredible thing of all is that
the Eisenhower administration kept on saying that there was
nothing to fear."
The
Cold War reached a critical point during the Cuban Missile
Crisis of 1962.
"During that event," recalls Bender, "my father
created a sort of makeshift bomb shelter in the basement of
our house. There were emergency food supplies and sealed bottles
of water, which we kept for many years. The idea that we might
have actually had to hide in our basement for a week, or two
weeks, or more, following a massive nuclear attack was frightening."
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The
interior of a fallout shelter at 530 W. 112th Street in
Manhattan as it looks today. |
The
fallout shelters also exposed some very negative aspects of
American culture during the Cold War.
"There
was one episode of the ‘Twilight Zone’ involving a nuclear alarm,"
Boyer recalls. "A family rushes into the shelter, and bolts
the door and their neighbors are all screaming and trying to
get in. The neighborhood starts to fight each other and basically
it all descends into a brawl and it turns out that it was a
false alarm and there wasn’t a nuclear war after all."
Debates
arose over the ethics of fallout shelters --such as whether
you helped your neighbors who didn’t have a shelter or whether
you shot them. "These
were matters that were seriously talked about," says Boyer.
"I think the effect of the fallout shelters was ironically
to probably heighten the fear and anxiety about nuclear war
and its effects. Not only physical destruction, but what’s it
doing to the fabric of our society? What does that say about
the health of American society?" |
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