I S S U E 4

 


Scott Olsen, 22, of Empire Erectors
PHOTO: Fiona Davis

ne Times Square rises 300 feet above the the "crossroads of the world," where Broadway and Seventh Avenue meet. Best known as the building where the New Year's Eve ball drops, the 17-story structure is covered with enormous billboards. Ever wonder how they get there? Ask Scott Olsen.

Wearing overalls and a harness, Olsen, 22, gazes down at the crowd below. From his vantage point, the cars become as tiny as ants on the ground as the scaffold rises higher and higher. "I'm from New Jersey, and I feel especially excited with a job like this because Times Square is the center of everything. So, sometimes I'm on the top of everything," he says.

For the past year and a half, Olsen has installed hundreds of billboards in New York City. Only a few of them are as big as three 2,475 square foot billboards he put up one week in January for Souza Tequila. Last year, just around the corner from his current job, Olsen spent three months installing the metallic frame for the Nasdaq stock market electronic billboard.

"In case of an accident, we can control the drop, breaking down like a climber."
                                   — Scott Olsen

Olsen, who works with a team of three to five men, is not afraid of falling. "This is a pretty safe activity," he points out. "Every guy is well trained and we are tied up to the lifeline, a rope independent from the scaffold. In case of an accident, we can control the drop, breaking down like a climber."

Olsen got his job after joining the Sheet Metal Work Sign Hangers union, where he is enrolled in a five-year course. "The union school teaches us important things, such as how to keep balance up high and to read blue prints," he says. When he started in the profession, Olsen made $9 per hour. After the course, he will make $28 per hour.

When work conditions become too dangerous due to wind, rain or snow, Olsen and his colleagues perform maintenance on the equipment or go shopping. Unfortunately, that means Olsen sometimes ends up working on weekends to make up for the lost time.

Proud of his job, Olsen sees some of the billboards he has erected when he watches TV. ABC and MTV have studios in Times Square and the stations sometimes use the billboards as background. "It's nice to tell my friends: — 'Look, I put up that billboard!' "

                         

LINKS
Times Square Business Improvement District
Artkraft Strauss
Spectacolor


BACK TO TOP

COVER: One Times Square
PHOTO: Fiona Davis

 


The NASDAQ sign is just one of the Times Square spectaculars Olsen has worked on.
PHOTO: Angela Pimenta


Signs of the Times

  • Initially, sign painters (called "wall dogs") painted signs onto the sides of buildings. The process usually took two months. Now, most billboards are produced digitally, printed onto vinyl panels, and unrolled at their intended sites. Stringing up the billboard takes only a few hours.
  • In 1903, the first elaborate electrical display appeared in Times Square. Dubbed a "spectacular," the sign advertised Trimble's Whiskey.
  • In the 1960s, the first Times Square signs containing computer controlled message centers were erected. The latest spectacular is the NASDAQ sign on 4 Times Square. The 120-foot sign is the largest LED display in the world and cost more than $37 million to build.
  • The signs in Times Square are the most photographed man-made spectacle in America. Nearly 100 million snapshots are taken each year.
  • One Times Square, between Broadway and 7th Avenue, takes in $2.5 million each year in office rent from its 17 floors. The rent for the signs outside the building brings in over three times that amount.
  • The design and construction costs for a Times Square spectacular range from $1 million up to $20 million. One spectacular takes six to nine months to complete.

Sources
"The Century in Times Square," from the archives of the New York Times; Times Square Business Improvement District; Michael Forte, CEO of Spectacolor; "Signs and Wonders: The Spectacular Marketing of America," by Tama Starr.


The crew works its way up to the top of One Times Square.
PHOTO: Fiona Davis